
Today it has been a month since we saw the Sabaton Tour To End All Tours trek roll through Sweden. So what did it mean for the reputation of Babymetal in these parts? Well I have not seen any reviews in print but 15,000 rockers did see Babymetal nail it and a lot of these had no idea of what to expect of them. What I did notice on the night was a good reaction from the crowd, and that is always an important clue. Then you hear things. A friend at work has a daughter that travelled to see Sabaton in Stockholm, but came home a huge fan of Babymetal. Effectively, Babymetal went from being an underground act to being a contender in this country, and it took this tour to do it. All in all, this was a successful tour and a strong package. Kudos to Sabaton for including Babymetal. Metal Hammer has a two page review in the 375 issue from Leeds, and I would expect most Metal media in Europe to cover the tour within the next few weeks. Not so much in Sweden though, as the main publication Sweden Rock Magazine really do not cover live events (except for Sweden Rock Festival). In a sense, the slow rise of Babymetal in these parts has been happening by word of mouth and by social media. In November, as they return for their third ever show in this country, we shall see were things stand. I would say that it is looking good though. 2023 is a year of hard work for them but they are cementing a solid reputation. On a sidenote I have just discovered how insanely good the song “Maya” is live. I hope we get a video for that one. Is has the Babymetal formula of brutality with a strong pop element in full flight. And the presentation live is just fantastic. Pretty sure we will get a video eventually. Maybe ahead of the Stateside trek that is coming up? We shall see. I would say that they are on a roll. The recent visit in Jakarta was an incredible success. Next up, Australia. First proper tour ever, big venues only.
(My shots from Stockholm, outside and inside the venue)
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