Future Metal

Posted: September 11, 2019 in Babymetal, Classic Rock, Cool stuff, Magazines

Well the countdown is on. One month from now we have the release of the third Babymetal album “Metal Galaxy”. There will be a media blitz and we are starting to see the magazine covers now (seen here is Metal Hammer UK 327, Headbanger 24 and PMC 15). The ongoing US Tour is creating a buzz and it looks like the Forum gig (their first arena show in the US as headliners) on October 11 will be a success. The Forum gig also assures a very high Chart position for the album in the States since everybody that goes will get a CD, and that is one hell of a promotional stunt right there. My guess is that they will do a second tour of America in 2020, since cracking that market is of such great importance. Meanwhile, the rotation of the “Avengers” (the third girl position) is continuing even in the States as we speak. Momoka Okazaki popped up at the third date in Washington (at the 6,000 seater The Anthem) the other day, and it all works since these dancers are such professionals. Getting to be part of Babymetal is a big thing for any dancer, fully comparable to having worked with Frank Zappa or Ritchie Blackmore in the old days.

“This is the future”, it says on the cover of Metal Hammer. They have supported Babymetal in the UK since 2014. I fully expect Kerrang to give Babymetal the cover too. At this point you can almost tell in advance who will support them and who will not. So the question is if some of the magazines that have sort of ignored Babymetal will start to come around this time. Classic Rock, Burrn (in Japan) and Sweden Rock Magazine comes to mind. Ignoring Babymetal is starting to look a bit silly at this point. You can say what you want about them, they really are a breath of fresh air in a very stale invironment. Which is why so many older rockers (like me, who started to buy rock albums in 1971) enjoy them so much. There is a craft here and they are taking chances like no other band ever has. Hell, they even have a track called “Future Metal” on the new album, a crazy instrumental that really sounds like it belongs in a Sci-Fi movie. Maybe somebody will add it to a movie before you know it.

It helps that Su-metal and Moametal are so good at what they do. Su-metal is the Audrey Hepburn of Heavy Metal, I guess it had to happen sooner or later. Moametal is the Grace Kelly. They have the grace and the beauty of classic Hollywood, and it is wholesome. I like that. There is a place for Babymetal, although they are clearly the real mavericks in a field that has continued to evolve for over five decades. They draw from all of it as well as other fields of entertainment, and they even dare to bring in future visions. Add the theatrical side and we have a fantastic concept here.

Babymetal will conquer the world. But then, I say the world needs Babymetal.

(Covers: Metal Hammer UK 327, Headbanger 24, PMC 15)

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